KRK RP-6 Rokit Powered Reference Studio Monitor Specifications:
100W biamped power
6" glass aramid composite woofer
1" neodymium soft-dome tweeter with ferrofluid
XLR, RCA, and 1/4" balanced/unbalanced inputs
Cabinet features radiused corners for better audio imaging
Subwoofer- The
new Rokit Powered series of close-field monitors wouldn't be complete
without a compatible low-end companion. The RP 10S sub-woofer was
designed to deliver an articulate linear bass extension specifically
tailored to fit the Rokit Powered monitor's spectral balance. The RP10S
features a level control, phase switch and variable filter control as
well as the full compliment of input options offered on the Rokit
Powered Monitors.
ARC System - The IK Multimedia ARC room correction software system measures, calculates the acoustics in your room, then applies correction via an advanced EQ plug-in. Using an included profesionally calibrated measurement microphone, ARC (Advanced Room Correction) software measures your room's acoustics and formulates corrections. The system then uses a frequency/time-correction processing plug-in to work with your DAW, giving you a "corrected" environment every time. If you want the most accurate, optimum room for recording, use ARC to make it happen.
-RME's Fireface 800 is the world's most powerful FireWire audio interface ever. Up to 56 channels record/playback, up to 192 kHz sample rate, and true FireWire 800 sum up to an unsurpassed high-end, high performance and high speed
FireWire audio interface. Since the Fireface first shipped in July
2004, the unit became the reference for FireWire audio - and still is
today! Lots of 'world's first' and 'world's only' features put the
Fireface 800 far ahead of the competition.
Universal Audio 6176- Two Studio Classics in One Box!
The Universal Audio 6176 combines one channel of the legendary 610
amplifier with an updated 1176LN to create the ultimate single channel
signal path. The 610 amplifier is packed with features, such as Mic,
Line and Hi-Z inputs, two bands of shelving EQ, and a 15dB pad. The
1176 side maintains all the same features found on the Classic 1176LN.
Each unit has dedicated ins and outs and can be used independently in
"Split" mode, or as a complete channel in "Join" mode.
610B Mic Pre:
The 2-610 microphone and instrument preamplifier has received praise
from many corners. Michael Cooper, in his review for Mix Magazine,
called it "hands-down, the most dimensional mic preamp I've ever
heard..." Peter Wade, engineer/producer who has worked with acts
ranging from Wyclef Jean to Jennifer Lopez, said simply, "This box
rocks." The Universal Audio 6176 mic preamp sections maintains the
quality and character of the 2-610 while adding high-tension power
regulation for improved bass response and a front-panel 15db pad switch.
1176LN Limiting Amplifier:
The 1176LN may well be the
most loved compressor in history. Its trademark lightning-quick attack
and release times and the tone of it's Class A output amplifier have
enhanced countless recordings over the last thirty-five years. We've
recreated the 1176LN for the compressor section of the Universal Audio
6176 with the same exacting, attention to detail and tradition we use
on our 1176LN. The resulting character, heritage and tone simply cannot
be found on other channel strip units. What's All-Button Mode?