Incredible Loner Studios
Horrible Loner

 Actual Instruments, Mics, Preamps, monitors etc


 

Don't have any instruments? Its ok I have some that you can use..but you have to treat them well! Anything you damage must be paid for in full.

See photos of Studio for instrument pics

Preamps:

Universal Audio 6176

            ART  TPS II dual channel preamp with handpicked 12AX7 tubes

            RME Fireface 800

Keyboards-

Midicontroller- Roland Edirol PCR-800 USB controller

 

Percussion-

Pulse Drumset w/ zildjan cymbals

Various percussion and other tidbits (tambourine, kazoo, cowbell, harmonica, etc)

 

Brass- Yamaha Silver trumpet

 

Guitars and other fretted instruments-


Fender Stratocaster
LUNA Fauna Phoenix Acoustic

LUNA Athena Hollowbody Electric

Ibanez SV480FM

Ibanez AEF30E Acoustic Electric Guitar

Ibanez AEG10NE Classical Acoustic Electric Guitar

Rogue Mandolin

Fender Squire P-Bass
Homemade Les-Paul



 
 
Microphones
AKG C 414 B-XL II
 

MXLV69 Mogami Edition

 

Studio Projects C3

            Cascade Fathead Ribbon Mic

            Cascade X-15 Stereo ribbon mic

            Sterling Audio ST44

            ARC reference condenser pencil mic 1/4"

Shure SM57's

Studio Projects B1

1 stereo matched pair Begringer C-2 condensers

NADY SCM900

Shure BG3.1

3 Behinger Ultravoice XM1800S mics

Nady DMK3 3-Piece Drum Microphone Package


            Amps-

VOX Valvetronix VT15 adjustable output modeling amp

Crate G60C 2x8� 60W Guitar Amp

 

Pedal Effects-

DigitechGNX-1 Guitar Modeling pedal- here

DigitechFX-7 Multi effect pedal

Big Muff Pi- distortion pedal

Boss DD-5 delay pedal

Jimi Hendrix WAH

DOD FX51 Overdrive

Custom Ibanez Tubescreamer with tone mods

WAY HUGE Porkloin Soft Clip Injection

  

 

 Monitor SYSTEM-
 

KRK RP-6 Rokit Powered Reference Studio Monitor Specifications:

    • 100W biamped power
    • 6" glass aramid composite woofer
    • 1" neodymium soft-dome tweeter with ferrofluid
    • XLR, RCA, and 1/4" balanced/unbalanced inputs
    • Cabinet features radiused corners for better audio imaging

    Subwoofer- The new Rokit Powered series of close-field monitors wouldn't be complete without a compatible low-end  companion. The RP 10S sub-woofer was designed to deliver an articulate linear bass extension specifically tailored to fit the Rokit Powered monitor's spectral balance. The RP10S features a level control, phase switch and variable filter control as well as the full compliment of input options offered on the Rokit Powered Monitors. 


     ARC System - The IK Multimedia ARC room correction software system measures, calculates the acoustics in your room, then applies correction via an advanced EQ plug-in. Using an included profesionally calibrated measurement microphone, ARC (Advanced Room Correction) software measures your room's acoustics and formulates corrections. The system then uses a frequency/time-correction processing plug-in to work with your DAW, giving you a "corrected" environment every time. If you want the most accurate, optimum room for recording, use ARC to make it happen.



     
     

    - RME's Fireface 800 is the world's most powerful FireWire audio interface ever. Up to 56 channels record/playback, up to 192 kHz sample rate, and true FireWire 800 sum up to an unsurpassed high-end, high performance and high speed FireWire audio interface. Since the Fireface first shipped in July 2004, the unit became the reference for FireWire audio - and still is today! Lots of 'world's first' and 'world's only' features put the Fireface 800 far ahead of the competition.

     

     

     

     

     

    Universal Audio 6176- Two Studio Classics in One Box!
    The Universal Audio 6176 combines one channel of the legendary 610 amplifier with an updated 1176LN to create the ultimate single channel signal path. The 610 amplifier is packed with features, such as Mic, Line and Hi-Z inputs, two bands of shelving EQ, and a 15dB pad. The 1176 side maintains all the same features found on the Classic 1176LN. Each unit has dedicated ins and outs and can be used independently in "Split" mode, or as a complete channel in "Join" mode.


    610B Mic Pre:
    The 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it "hands-down, the most dimensional mic preamp I've ever heard..." Peter Wade, engineer/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, "This box rocks." The Universal Audio 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch.

    1176LN Limiting Amplifier:
    The 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the Universal Audio 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel strip units. What's All-Button Mode